@ajroach42 I found it really difficult to get through, but that might be the fact that I waited until the end of a month of much more modern movies in general with something a little bit outside of my usual consumer scope.

I found most of the characters personalities to be essentially identical, and very boxed in by the era that they were written. Pretty much none of the feminine characters had anything outstanding or interesting about them that I would call memorable besides the catatonia of barbara.

The masculine characters spent as much time chest thumping and shouting at each other as they did failing to make a decision. The zombies themselves, being cast pretty much entirely from what I can tell to be totally normal people, we're highlight and I found it really curious that they weren't truly zombies but more like violence and stupidity emerged into one? Like they're smart enough to use tools, smart enough to pay attention to their environment for the most part, and guided by violent impulse and designer to consume flesh, but ultimately they don't seem mindless. Typical examples in the genre are animated dead, whereas these seem more like reduced sentience ravagers.

The audio I commented on elsewhere and that pretty much sums up my feelings about that.

I think the high point for me was actually the newscasts, the rapidity at which a "normal" was found in how to address the animate dead was all too familiar to an adult living in 2026 LOL. It just became a curiosity that you would have to go from house to house to house and blow the brains out of anyone vaguely zombie without really thinking about a different solution. I also liked that the newscasts and radio broadcasts and everything felt authentic for the time. Like this looks to have been taking place in which I'm thinking is 50s 60s, not as far back as the 30s or 40s but like part of the civil Rights era.

@cwebber @spritely

The project looks amazing, though I don't understand what underlies it, things like the carousel as a platform itself is way outside anything I know about.

But yes your art is worth it. It's your work, and it has value as that alone, and contributes to other peoples' vision of what is possible.

Samuel R Delany said when asked about his own writing, no artist is in a position to judge their own work. You can't really assess how others see it and can't know what the world does with it. It will happen with and without you.

This will actually work. People need to register as democrats (gross, I know) and vote for progressives in the primaries. Make the democrats the party you want.

The other way will also work.

What’s the solution?

The dangers of the AI software speed-up

https://peteroshaughnessy.com/posts/the-dangers-of-the-ai-software-speed-up/

Yeah, this is at best wish casting and at worst deliberately disingenuous propaganda. Obama was a liberal or not, because he opened the US to the largest expansion of for-profit fossil fuel extraction in history, and championed fracking, and even presided over the militarized police beatings of indigenous protestors of oil pipelines.

Liberals don’t believe any of this

@ifixcoinops I have complained about this in the last month.

@ariadne then it's probably appropriate. i wouldn't question it either way, unless your levels weren't ending up in an appropriate place. like i said, they _are_ pretty normal. just low

@MadameMollette on leur rappelle qu'oublier son RIO c'est interdit aussi et c'est pas pour ça qu'ils le font pas ?

@TigerKale whoah

@mcc I had this realization this week too

@Username_Here_ASAP So here's an interesting thing about 28 days later, right?

It was shot 100% on consumer grade 480p MiniDV cameras, and then it was upscaled/blown up for cinema release.

Weird, right?

#Trump Phone Durability Test - Its worse than we thought...

(who could have known 😆)

https://www.youtube.com/watch?v=5O-vCJW1b8g

@ben noooope

@dpk@swhack.com It's (according to supermarkets) Christmas, Marzipan Kartoffeln are everywhere

@thomholwerda a million percent. How not?