Happy #BandcampFriday, y'all. Some months I like to recommend my favorite new albums and releases, but today lets flip it and highlight some older gems on Bandcamp.
Daedelus's "Labyrinths" (October 2016) is a great introduction to the electronic beatmaker's sense of humor and sound.
@docpop Daedelus is a name I have not heard in a long time.
@phaysis I know he's been around for ages, but I never got too familiar with him until recently. He's still quite prolific and has put out some great remixes over the past few years, but I don't listen to his albums that often. I probably just need to find the right one.
@docpop Same. I like the idea of what he does and what he stands for, but of the few albums I've picked up, I've gotten into the groove with only a few tracks. Saw him at SXSW in a tiny venue above a sushi shop; he set up a table on the floor IN FRONT OF the DJ booth, tilted his controls toward the audience so we could see what he was doing, and we got to sweat it out 3 feet away from him. Great show. Was hoping his recordings had the same energy.
Digging way back, The Breeders' "Last Splash" turned 30 in 2023. Recorded here in SF, I've been hearing this album everywhere lately, and this special edition is a great way to enjoy it.
https://thebreeders.bandcamp.com/album/last-splash-30th-anniversary-edition
"The Thicket" (September 1998) is David Grubbs's first solo album after the breakup of Gastr del Sol. This is still my favorite of Grubbs's solo albums, and I really like how it brings a pop sensibility to the experimental sounds he was known for.
Shane Parish's "Undertaker Please Drive Slow" (November 2016) is an album of beautiful and haunting guitar instrumentals. I first found Shane through his acoustic covers of Autechre songs, but now I'm really enjoying ing the stripped-down and improvisational sounds on Undertaker.
https://shaneparish.bandcamp.com/album/undertaker-please-drive-slow
Undertaker Please Drive Slow