Discussion
I need help from the electronic music hive mind!
What are the electronic instruments you've played over the years that are DEAD SIMPLE to use? Meaning, a person with no experience could walk up to it and quickly and intuitively move some knobs around, poke around a bit, and start exploring the instrument?
Samplers, synths, drum machines, and recording tech suggestions are all welcome. Boost if your followers would know about this pleeease! <3
@u0421793 this is a helpful perspective, thank you! My tendency is to go as close to knob-per-function as possible for this purpose. I'm very experienced, and I tend to like those best myself. They keep me from getting turned around!
@BackFromTheDud Volcas are definitely in the running <3
@alisynthesis I have a Volca Bass, which you can also get some percussive sounds from
@alisynthesis Honestly, I'd recommend a Stylophone. Very unintimidating, approachable and immediate. It has a rudimentary filter and a few other very basic synthy features. Hell, Bowie even used on onstage in concert!
@alisynthesis korg microsampler
@alisynthesis Arturia Microbrute. Yes, it has a tiny little patch bay, but you can ignore all that and still make interesting noises without trying too hard.
@BorrisInABox nice! Was also thinking of the Microfreak/Minifreak.
@alisynthesis @BorrisInABox imo the freaks are a bit… busy for a first-timer, but i guess that all depends on someone’s learning style. but i’ve actually attempted this before with a microfreak and it was unfortunately a bit easy for the user to get kind of… lost
microbrute is an excellent suggestion though
@alisynthesis Yep, those would certainly do it. Also the Korg Monotrons for a very low effort, low cost noise machine.
@alisynthesis
How about the KORG Kaossilator?
I bought one on a lark once and it has an impressive amount of customization. You can change instruments, key, scale mode... There are percussive options...
It's no good for reproducing music you know but tons of fun for creating new music.
@DenOfEarth good one! Very intuitive and exploratory.
@alisynthesis @DenOfEarth Other devices from the series too: e.g. Kaoss Pad Mini.
@emilis @DenOfEarth totally! I have the little effects box, which I'll definitely have on the table o' goodies. :)
@alisynthesis The Rainy Day Electronics Instruments Cumulus is very simple. It’s a four-play head sampler, and each head plays a section of the sample. It’s amazing. https://www.youtube.com/watch?v=1vwoIvGEoBQ&feature=youtu.be
YouTube
@arratoon oh, that looks fun!
@alisynthesis BoBeats made a video about a month ago with his picks of 13 synths for beginners.
YouTube
@woodwonk oh, awesome, thank you!
@alisynthesis Korg monologue comes to mind first
@tsrono
The Monologue was my first synth and I indeed found it very approachable
The Microfreak is tons of fun too
@alisynthesis
@ozzelot nice, i can see it being a great first synth :)
@tsrono
The TD-3 is also fun to twiddle, but in terms of shaping the sound, I personally run out of the fun too quickly. 😁 It's a highly moddable beastie though, maybe I'll do some drilling and soldering to it.
@alisynthesis
@tsrono
And on reflection, the Microfreak may offer a tad much for a first machine. The Monologue was sort of my Goldilocks choice to get into synths.
@alisynthesis
@alisynthesis one lesson i learned is not to expect kids to intuit how a pure midi controller does not make sound on its own, it would need to connect to a computer or their phone or some other device.
i'll gather some links to devices, however i'd be cautious about what we teach as dead simple. there should be at least some challenge
@protman @alisynthesis no, no challenge please
@datn @alisynthesis please clarify if this is sarcasm
@protman @alisynthesis not sarcasm! add the challenge in for kids if you must, but please smooth the way for us weary adults who want to make a joyful noise.
(this is NOT a trojan-horsed pro-AI argument. #fuckAI)
@alisynthesis Theremins are great for just exploring and messing around. Add a simple effects box with knobs for things like tone and echo and reverb, and people can really go crazy while learning about effects.
@ranjit totally. Maybe one of those otamaphone thingies that are so cheap, which I think are theremin-like? Need to look more, but something like that paired with a little Korg effects unit is sonic explorer territory for sure.
@alisynthesis Yeah! Or the korg monotron is basically an otamatone but in a dorky package instead of cute, and it has a few simple synthy knobs to turn.
@alisynthesis @datn @protman contact mics! I used to buy piezoelectric discs in bulk and solder patch cables to them. Then I attached them to all sorts of things: cars, park swings, dish cabinets, clothing; and ran them into preamps, effects, and amps.
@Moss @alisynthesis I misread that as "contact mice".
Anyway yeah contact mics are great for playing around! I like using poster gum / museum putty to stick them to things - it makes a really good acoustic connection and you don't need to figure out clips or clamps.
@alisynthesis this is my baseline for introducing people to sequencing https://cdm.link/hammerhead-for-ios-brings-back-a-90s-drum-computer-legend-for-a-new-generation/
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@alisynthesis@io.waxandleather.com I’m honestly not sure there is. At least nothing modern and available as new. I grew up with 60/70s synths in the 60/70s, with much time enjoyably spent on complicated stuff.
Now I’m in my mid 60s I really haven’t got the patience for depth in a thing, I don’t like hidden features, I can’t remember stuff that was there last time but isn’t now, and can’t tolerate buttons that say one thing but most of the time do something else (looking at you Roland SH4d), and most of all, I’m not amused by obligate depthy menus.
What would light up my eyes and prick up my ears would be a good synth that is truly one knob per function, has no shift modes, no alternate situations, no daft secret-handshake user-interfaces that I can’t remember next time I use it many months later (looking at you, Novation Circuit).
What I’ve always relied on in a synth back in the 70s/80s/90s was to be able to look at the panel, see the knob settings, know what kind of sound it was going to make (which I could), and not be surprised when I pressed a note on it and got roughly that sound. You simply can’t do that these days. That’s what’s lacking today.
Even in the 70s, a straightforward synth could fox users - the amount of ARP 2600s or ARP Odysseys (2800) that got sent back as faulty because it wouldn’t shut up, because the user turned the ‘Initial Gain’ slider up from zero.
Of all the synths I’ve ever had, the most foolproof, most user-friendly, most ‘makes a sound no matter what you set the knobs and switches to’ synth is the old Roland SH-09 I had. But even the SH-101-like modern issues have a load of extra complexity in the shape of sequencers, arpeggiators, that sort of thing.